Is London’s Royal Opera House the elitist preserve of a metropolitan middle class? Categorically not, says its boss Alex Beard.
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Elitist? Who, Me?
Kim Brandstrup: The Marriage of Dance and Film
Fresh from winning Britain’s National Dance Award for Best Modern Choreography, Kim Brandstrup discusses his love of dance and film.
Read moreDominique Mercy and Life After Pina Bausch
Dominique Mercy, veteran of Tanztheater Wuppertal Pina Bausch, talks to BalletPosition about her legacy and plans for the company’s future.
Read moreSolomon Golding: Talent, Desire and Ambition
The Royal Ballet’s Solomon Golding discusses his abiding passion for ballet and his determination to inspire audiences with his art.
Read more“I Haven’t Been Trivialised at the Dance Clinic”
PLEASE NOTE: THE LONDON CLINIC OFFERING THIS SERVICE HAS BEEN SUMMARILY CLOSED DOWN BY THE NHS AS OF JUNE 2019
Read moreThe Royal Danish Ballet School
A portrait of the Royal Danish Ballet School, where forming complete human beings is as important as forming elite dancers.
Read moreBournonville: The Danish Way of Dancing
How the visionary Bournonvile came to develop a dancing style that would forever become the unique hallmark of Danish ballet.
Read moreNDT2: Dancing “Like There’s No Tomorrow”
A portrait of the Nederlands Dans Theater’s junior company, NDT2, an exhilarating combination of youth, technique and hunger for dancing.
Read moreJoel Morris: Dancer at a Crossroads
As his dancing career evolves into teaching, Joel Morris tells us his heart is split between stage and ballet studio.
Read moreHubert Essakow: From Obscurity to Light
As he prepares for his first major international commission in Düsseldorf, Hubert Essakow talks about life as a freelance choreographer.
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